“Why did Miles love Europe so much? Because people recognized him for who he was—a great, great artist, not just a great musician. But traditionally Europe supports culture—jazz or pop or fusion or other alternative forms of music are accepted as valid cultural currencies and are supported as such by the state, by the city, by the governments. Which is something that never really happened in the US. Even the symphony orchestras were supported to a large extent by GM or Ford, but there are quite a number of symphony orchestras that have gone bankrupt over the past fifteen to twenty years. The US government, in particular, does not deem it relevant to support cultural aspects, which I think is an error. But it’s like every country, there’s good and bad, you just have to go with the flow.”